"Candyman" by Reverend Gary Davis is a classic blues song with roots tracing back to the early 20th century. Davis reportedly learned the song around 1905 in Spartanburg, South Carolina, possibly from local musicians or a traveling medicine show. 

The Candyman myth in the song refers to a male paramour or pimp, also known as a "sweetback" or "sweetback man." This term is reflected in the song's lyrics, which include references to gingerbread, peppermint sticks, and Santa Claus, misleading some to believe it was a children's song.

The song's guitar part is notable for its rhythmic complexity. Dave Van Ronk, a student of Davis, popularized a version with a distinctive backwards bassline, though it's debated whether Davis himself played it this way. Jim Bruce offers lessons on how to play "Candyman," providing tabs, chords, and lyrics to help guitarists capture its unique sound.

The Candyman myth has also inspired various scary games and scary stories, including the infamous Candyman movie. In one variation of this game, players often seek Candyman by chanting his name in front of a mirror in a dark bathroom, a ritual that has become part of the Candyman challenge

This urban legend has led to many games where mirror players dare to confront their fears.

A variety of artists have recorded versions of "Candyman," showcasing its enduring appeal. Some notable recordings include those by: 

  • Erik Darling (1958)
  • Ramblin' Jack Elliott (1961)
  • Dave Van Ronk (1964)
  • Donovan (1965)
  • Hot Tuna (1971)

More recent versions have been recorded by artists like Rory Block (2013) and Jerron "Blind Boy" Paxton (2017). 

Each artist brings their own interpretation to the song, whether it refers to a pimp, drug seller or simply a game, contributing to its rich legacy in American folk and blues music. The Candyman continues to resonate in both music and folklore, captivating audiences with its blend of melody and myth.




As seen on:

      

The Blues Guitar, How to play Rev Gary Davis Gospel Style

candyman chords - rev gary davisReverend Gary Davis (born on April 30, 1896 in South Carolina -- he died on May 5, 1972 in New Jersey) was an incredible blues guitar player who was an expert in the way of playing generally referred to as Piedmont, which is ragtime blues style. 

He often played on the street, constantly move on by the police, where he had the times to experiment with complex fingerstyle picking patterns.

A fine example of his mastery is the way he syncopates the Candy Man chords, a very simple chord progression.

Even within the generic term ‘ragtime’ guitar, there are other categories, like piano style ragtime finger picking and of course ragtime blues guitar.

The ragtime blues technique was born because guitarists tried to emulate the joyous dancing music of that piano technique created by Scott Joplin et al. Guitar players in those times were fascinated by the alternating bass patterns and general rhythmic feel.

In South Carolina; when Davis was a young man, the acknowledged guitar master was Blind Willie Walker, who played incredibly accurate and very fast, much like Blind Blake.

Davis picked up several tunes up from Walker, including Cincinatti Flow Drag and Make Belief Stunt. This meeting was probably crucial to the development of Davis’ style, no doubt expanding his skills and repertoire. 

When he plays Candy Man chords, there is often a very distinctive single string run that no other player includes. It was his policy to be unique, it was his master card in the game of keeping ahead of other blues guitarists.

By his own admission, Davis ‘was scared o’ no guitarist’ by the time he was 30 years old.  Even though an expert in the ragtime guitar style, he could truly play in any style and in any key with equal skill.

After he became ordained as a minister, he refused to play the old blues, and favored gospel songs relating the word of the Lord.

He also had many party songs in his song list. Musicians at that time played on the street, parties, and any where where they could get a few coins, a bed or a meal. 

It was essential that they varied their playing and offer music that appealed to a wide range of audiences and the Candyman's song did just that.

Candyman Rev Gary Davis

In the video below, Jim demonstrates some Gary Davis techniques in the key of C.

Play Candyman Like Reverend Gary Davis

Davis played a jumbo bodied Gibson guitar, which had rich, deep basses and cutting trebles  great for making himself heard above street noise. 

He also used finger picks, which act as a natural amplifier and also save the fingers from harm after playing for several hours, as musicians did at that time. He used a large plastic thumb pick worn high up, close to his hand, and a steel pick on his fore finger.

Incredibly, he only used one finger to pick the strings, which hardly seems possible, bearing in mind the complexity of the music he created. His thumb would jump all over the strings, never being content to play just the bass notes. 

It could also jump out of time and double up on the beat, which shows amazing control. 

Another trademark technique was his single string run work. He would strike a single string alternately with his thumb and fore finger in quick succession at lightning speed, and sing at the same time!

We should all be forever grateful for the legacy left by the original great of blues guitarists. Here's a short lesson showing a couple of simple variations on the basic Candyman theme, as played by the legendary Reverend Gary Davis. What he did with just three chords was fascinating.




BLUES GUITAR LESSON

CANDYMAN CHORDS AND LYRICS REV GARY DAVIS

 
 
Many great guitarists picked with just one finger

 (Doc Watson, Big Bill Broonzy, Blind Boy Fuller)

play candy man gary davis stylebut none so slick and inventive as the Reverend. His songs were truly creative with a wide variation in chord sequences used. 

Most ragtime blues songs have a standard chord progression depending on the key, and these progression are notably more complex than a standard blues progression in E or A, but Davis further extended these progressions adding a new level of richness.

Reverend Gary Davis has been a source of inspiration for a great number of guitarists over the years and his legacy will always be with us. Any students wanting to learn how to play blues guitar should study the Reverend's techniques.

Author: Jim Bruce 
Date: 2014-02-01
Category: Music



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